I love film and films – although not, it should be said, many of the Robin Hood films out there. Most are sadly a bit bland and uninspiring and the only one I find infinitely rewatchable is the classic 1938 Errol Flynn version (the one with the green tights, ‘Robin Hood hat’ and a real sense of cinema and adventure, rather than any ‘dark, gritty reimaging’ – I’m looking at you, Russell Crowe).

Nottingham was lucky enough to have a shared premiere of Ridley Scott’s Robin Hood, jointly shared with Nottingham and the Cannes film Festival, although who knows why Russell Crowe and Cate Blanchett decided to go to the sunny south of France rather than the Cornerhouse in Nottingham? Sal and I got to go to the Nottingham premiere in their place though, which was actually more fun than the film itself.

As noted elsewhere in this issue, Nottingham and Beeston have a great cinematic history and it’s something we can all be proud of – whilst we wait to see if we’re going to get a ‘proper’ cinema in the vast wasteland next to the tram station we have several independent cinema clubs, not least those run by our previous editor Matt at the White Lion and Café Roya. Matt was also a driving force behind Beestonia: The Movie which was a fabulous celebration of all things local and I even got to have a cameo in it, which
was great fun.

In fact over the past few years I’ve done quite a bit of filming, mainly promotional videos for Nottingham in my guise as Robin but also, strangely enough, for a couple of ‘proper’ films…

We were actually on the red carpet alongside Daniel Craig, which really was astoundingly fun

Being a bloke of a certain age I love James Bond films (well, most of them anyway, I could live without Never Say Never Again and A View To A Kill and for my money On Her Majesty’s Secret Service and Casino Royale are the best). Anyway, via an internet Bond fan group I became friends with a group in Chicago in the US who buy, restore and look after loads of the vehicles used in previous films and I’ve travelled over there a couple of times to visit both the vehicles and my American friends – it’s great fun to sit inside amongst other vehicles the huge red Mustang from Diamonds Are Forever, the Aston Martin from The Living Daylights or some of the boats from Live and Let Die. In fact speaking of premieres it was via this group that Sal and I got to attend the Royal Premiere of Skyfall at the Royal Albert Hall in London, where we were actually on the red carpet alongside Daniel Craig, which really was astoundingly fun.

One of the friends I met in the US (some of whom are now such good friends they’re travelling over for Sal and my wedding later this year) is a film-maker specialising in low-budget horror films. He thought it would be fun to have an English actor ‘introduce’ the films and so he asked me to create a character named ‘Lord Victor Fleming’, supposedly a ‘master of the macabre and historian of the occult’. This meant I had to smarten myself up, put on my DJ and try to generate some gravitas as I intoned dire warnings about the terrible story and horrific scenes contained in the film. With Sal as
my camerawoman we decorated our front room to look like an Edwardian-period drawing room and set to filming. We even did some location shooting at Wollaton Hall, carefully cutting scenes to look like the interior scenes we’d shot were actually done inside the Hall. So you can say both Batman and Robin have now filmed there!

So if you ever get the chance to watch the masterful cinematic classics that are James Baack’s Dracula’s Orgy of the Damned or the equally terrifying (for any number of reasons) sequel Werewolf Massacre at Hell’s Gate (both available on DVD from Amazon US) then you’ll know that at least part of them were shot in our own home town of Beeston – which makes it even weirder than a number of online reviewers commented on my ‘phony English accent’. It seems that as with Robin Hood films, there’s just no pleasing some people…

Tim Pollard
Nottingham’s Official Robin Hood